Bob Haozous: Indigenous Dialogue is the catalog of a landmark 2005-2006 exhibition at the Institute of American Indian Arts Museum in Santa Fe, edited by curator Joseph M. Sanchez with an essay by the influential critic Lucy R. Lippard. Haozous, a Warm Springs Chiricahua Apache sculptor and the son of the revered artist Allan Houser, is known for marrying Native and especially Apache imagery with bold form and an unflinching, often provocative wit aimed at contemporary American life. The exhibition was framed as a call to action for Native artists to reclaim Indigenous values.
This is a first printing, produced by the IAIA Museum of Contemporary Native Art and printed in Albuquerque. With its full plates of works such as Apache Holocaust and Chair of Armageddon, the catalog is an indispensable record of one of the most important sculptors of his generation and a strong document of contemporary New Mexico Native art.
First printing (2005)
The copyright page carries a full number line ending in 1 — a first printing — for this IAIA exhibition catalog. This is a Institute of American Indian Arts Museum book; see how Institute of American Indian Arts Museum states its first printings.
| Author | Joseph M. Sanchez (editor); essay by Lucy R. Lippard |
| Publisher | Institute of American Indian Arts Museum |
| Year | 2005 |
| ISBN | 1-881396-25-8 |
| Edition | First printing (2005) |
| Condition | Softcover, edge/corner wear. |
| Topic | Contemporary Native American art |
Photographs © New Mexico Literacy Project, licensed CC BY 4.0 — reuse with attribution. This is an identification and provenance record of a real donation; no appraisal or valuation is offered.
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