Is My Copy of On Photography a First Edition?

The points of issue

• The true first is the Farrar, Straus and Giroux issue of 1977, 207 pp., bound in grey cloth with white lettering to the spine and issued in a pictorial dust jacket designed by Jacqueline Schuman
• The copyright page bears a 'Copyright (c) 1973' notice (the essays first ran in the New York Review of Books, 1973-1977) together with the FSG first-printing designation
• FSG did not use a number line in this period, so later printings are identified by an explicit 'second/third printing' statement and the first printing carries none
• Multiple independent dealers (Riverrun, Between the Covers, Type Punch Matrix, Raptis) uniformly catalogue the 1977 grey-cloth / Schuman-jacket copy as the first edition, first printing

How Farrar, Straus and Giroux marked a first edition

• ERA 5 - Farrar, Straus and Giroux, statement era (1964-c.2001): Imprint line reads 'Farrar, Straus and Giroux'; Robert Lowell's 'For the Union Dead' (1964) is the first FSG-imprint title. Generally NO number line…

Full Farrar, Straus and Giroux first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Read the number line — the lowest number is the printing. A line including 1 is a first printing (Random House deliberately ends at 2). Paste it into the decoder.
4. Verify this is the US true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

US precedence: Sontag was American and the FSG (New York) issue of 1977 is the true first. The UK edition (Allen Lane, London) followed in 1978 and is a later printing / 'first thus', not the true first.P-045880

Telling it from reprints & book-club editions

No book-club edition is a common trap for the true first. The title was heavily reprinted by FSG and later reset as a Picador/FSG trade paperback (ISBN 0-312-42009-9); all are identified as reprints by later printing statements or a new ISBN.P-045881

Frequently asked questions

Is my copy of On Photography a first edition?

A first edition of On Photography by Susan Sontag (Farrar, Straus and Giroux) is identified by: The true first is the Farrar, Straus and Giroux issue of 1977, 207 pp., bound in grey cloth with white lettering to the spine and issued in a pictorial dust jacket designed by Jacqueline Schuman.

How do I tell the first printing from a later one?

Check the copyright page. A number line whose lowest number is 1 marks a first printing (Random House ends at 2). US precedence: Sontag was American and the FSG (New York) issue of 1977 is the true first.

Is the book-club edition the same as the first?

No book-club edition is a common trap for the true first. The title was heavily reprinted by FSG and later reset as a Picador/FSG trade paperback (ISBN 0-312-42009-9); all are identified as reprints by later printing statements or a new ISBN.

I have a first edition of On Photography — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.