Quick answer
A first edition of Repurposing the Wunderkammer by Sean Miller (Sean Miller / John Erickson Museum of Art, 2016) is identified by: The copyright page states “First Edition 2016” with no number line — the only edition of this self-published exhibition catalog (ISBN 978-0-692-60214-0). Single self-published first edition (2016).
Checklist — a true first has these:
- The copyright page states “First Edition 2016” with no number line — the only edition of this self-published exhibition catalog (ISBN 978-0-692-60214-0)P-045933
- Issued in a die-cut bright-yellow cover perforated with a grid of circular holes, the title running vertically in blackP-045934
- Documents the Repurposing the Wunderkammer exhibition at the Samuel P. Harn Museum of Art, University of Florida (August 19, 2014 – July 26, 2015), organized by artist and JEMA founder Sean Miller; includes work by Mark Dion, Ben Patterson, and the Art Guys, and a conversation with Lawrence WeschlerP-045935
- Publisher imprint reads Sean Miller / John Erickson Museum of Art
- Not a book-club edition (see below)
| Author | Sean Miller |
|---|---|
| Publisher | Sean Miller / John Erickson Museum of Art |
| Year | 2016 |
| True first | — |
| Format | Hardcover (trade) |
| Key point | The copyright page states “First Edition 2016” with no number line — the only edition of this self-published exhibition catalog (ISBN… |
| Book-club edition exists? | No |
The points of issue
- The copyright page states “First Edition 2016” with no number line — the only edition of this self-published exhibition catalog (ISBN 978-0-692-60214-0)
- Issued in a die-cut bright-yellow cover perforated with a grid of circular holes, the title running vertically in black
- Documents the Repurposing the Wunderkammer exhibition at the Samuel P. Harn Museum of Art, University of Florida (August 19, 2014 – July 26, 2015), organized by artist and JEMA founder Sean Miller; includes work by Mark Dion, Ben Patterson, and the Art Guys, and a conversation with Lawrence Weschler
How to confirm the first-printing statement
Publishers stated first printings differently by era. The decisive tells are a printed “First Edition/First Printing” statement, a number line whose lowest number is 1 (Random House ends at 2), or a dated first printing with no later printings listed. Paste your copyright page into the number-line decoder.
How to verify your copy, step by step
- Find the copyright page — the verso (back) of the title page.
- Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
- Read the number line — the lowest number is the printing. A line including 1 is a first printing (Random House deliberately ends at 2). Paste it into the decoder.
- Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
- Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.
The dust jacket
For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.
Binding & format
Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.
Is this the true first?
Single self-published first edition (2016). No later printing or trade reissue is documented in the sources consulted; the book is scarce and absent from most trade databases, so identification rests on the stated “First Edition 2016” copyright page and the die-cut cover.P-045936
Telling it from reprints & book-club editions
No book-club edition exists. A copy lacking the perforated die-cut yellow cover or the “First Edition 2016” statement on the copyright page is not the first edition described here.P-045937
Frequently asked questions
Is my copy of Repurposing the Wunderkammer a first edition?
A first edition of Repurposing the Wunderkammer by Sean Miller (Sean Miller / John Erickson Museum of Art) is identified by: The copyright page states “First Edition 2016” with no number line — the only edition of this self-published exhibition catalog (ISBN 978-0-692-60214-0).
How do I tell the first printing from a later one?
Check the copyright page. A number line whose lowest number is 1 marks a first printing (Random House ends at 2). Single self-published first edition (2016).
Is the book-club edition the same as the first?
No book-club edition exists. A copy lacking the perforated die-cut yellow cover or the “First Edition 2016” statement on the copyright page is not the first edition described here.
I have a first edition of Repurposing the Wunderkammer — what should I do?
First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.
Glossary
- First edition
- Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).
- First printing / impression
- A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.
- Number line (printer's key)
- A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).
- Points of issue
- Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.
- Book-club edition (BCE)
- A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.
- First thus
- The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.
Related first editions
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- Gulag: A History — Anne Applebaum
- Gift from the Sea — Anne Morrow Lindbergh
- The Hemingses of Monticello: An American Family — Annette Gordon-Reed
- Teaching a Stone to Talk: Expeditions and Encounters — Annie Dillard
- The Years (Les Années) — Annie Ernaux
- The Age of Jackson — Arthur M. Schlesinger Jr.
How to cite this page
New Mexico Literacy Project. “Is Repurposing the Wunderkammer by Sean Miller a First Edition? Points of Issue.” NMLP First-Edition Identification Reference. Reviewed 4 July 2026. Retrieved from https://newmexicoliteracyproject.org/first-edition/repurposing-the-wunderkammer. Licensed CC BY 4.0 — part of the open Canonical First-Edition Points of Issue dataset (DOI 10.5281/zenodo.21184548).