Is My Copy of The Tale of Genji a First Edition?

The points of issue

• The work's original is an early-11th-century Japanese manuscript with no printed 'first edition'; the collectible first is Arthur Waley's English translation, issued in six volumes by George Allen & Unwin, London, 1925–1933: The Tale of Genji, The Sacred Tree, A Wreath of Cloud, Blue Trousers, The Lady of the Boat, and The Bridge of Dreams

How George Allen & Unwin, London marked a first edition

• First editions state "First published [Year]" or "First published in [Year]" on the copyright page (frequently with the printer named), later printings noted with added impression lines
• First printing = the 'First published' statement with NO subsequent-impression notation

Full George Allen & Unwin, London first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the US true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

The true first of the work is the 11th-century manuscript, not collectible in the ordinary sense; for collectors the standard 'first' is the Waley translation — a 'first thus' (first appearance in English). Precedence runs to the London George Allen & Unwin volumes over the concurrent US Houghton Mifflin issues. The 1935 one-volume omnibus is a later 'first thus,' not the first.P-045752

Telling it from reprints & book-club editions

The 1935 one-volume Allen & Unwin omnibus, Modern Library issue, and later single-volume editions are reprints / 'first thus,' not the original six-volume issue.P-045753

Frequently asked questions

Is my copy of The Tale of Genji a first edition?

A first edition of The Tale of Genji by Murasaki Shikibu (trans. Arthur Waley) (George Allen & Unwin, London) is identified by: The work's original is an early-11th-century Japanese manuscript with no printed 'first edition'; the collectible first is Arthur Waley's English translation, issued in six volumes by George Allen & Unwin, London, 1925–1933: The Tale of Genji (1925), The Sacred Tree (1926), A Wreath of Cloud (1927), Blue Trousers (1928), The Lady of the Boat (1932), and The Bridge of Dreams (1933).

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. The true first of the work is the 11th-century manuscript, not collectible in the ordinary sense; for collectors the standard 'first' is the Waley translation — a 'first thus' (first appearance in English).

Is the book-club edition the same as the first?

The 1935 one-volume Allen & Unwin omnibus, Modern Library issue, and later single-volume editions are reprints / 'first thus,' not the original six-volume issue.

I have a first edition of The Tale of Genji — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.