Is My Copy of The Story of Art a First Edition?

The points of issue

• The true first is Phaidon Press, London, 1950 (the original English-language edition), a thick octavo of 462 pp. with about 370 illustrations
• The decisive point is the copyright page reading 'First published 1950' with NO later-edition statement: Phaidon revised the book almost immediately, issuing a 'Second edition 1950' and a 'Third edition 1951', so any copy whose copyright page adds a second- or third-edition line is not the first printing
• Reported binding cloth varies between dealers (grey, oatmeal, cream/beige, lettered in red and gilt), so treat cloth colour as non-definitive and rely on the printing statement; the first was issued in a pictorial dust jacket

How Phaidon Press marked a first edition

• Copyright page: 'First published [by Phaidon Press] [year]' is the primary first-edition signal; a true first shows only that first-published line with no later 'Reprinted' or 'revised edition' entries beneath it.
• Phaidon historically does NOT rely on a descending number line for most art titles; subsequent printings are marked by adding 'Reprinted 20xx' lines, so a first is identified by the absence of those reprint lines.

Full Phaidon Press first-edition guide →

How to verify your copy, step by step

1. Find the copyright page — the verso (back) of the title page.
2. Confirm the first-edition statement — look for “First Edition,” “First Printing,” or the publisher’s equivalent wording.
3. Check for a number line or dated printing — the lowest number present is the printing; a dated first printing with no later printings listed is the tell.
4. Verify this is the UK true first — not a later-market or reprint edition.
5. Rule out a book-club edition — a blind-stamp on the rear board or a jacket with no printed price marks a book-club copy.
6. Photograph four things — the front cover, spine, title page, and copyright page — the standard record for identification.

The dust jacket

For a collectible first edition the dust jacket matters as much as the book. Confirm the jacket is present and unclipped — the printed price should still be at the corner of the flap (a clipped corner or a price-less flap can indicate a book-club issue). First-state jackets can differ from later ones in the cover art, blurbs, or review quotations; where a specific first-state jacket point is known for this title it is noted above.

Binding & format

Where multiple bindings exist, the hardcover trade issue is usually (but not always) the precedence copy — confirm against the points above. Later printings often show cheaper cloth, thinner boards, or simplified spine stamping. A simultaneous signed or limited issue, when one exists, is a distinct state from the trade first.

Is this the true first?

UK precedence: Phaidon, London, 1950 is the true first in the original English. There is no earlier US edition; US-market copies were distributed subsequently and the London 1950 first holds precedence.P-045891

Telling it from reprints & book-club editions

The book has run to sixteen numbered editions since 1950 with expanded and reset content; all post-1950 'editions' are revised reprints identified by their edition statement, and the later pocket/luxury reissues are 'first thus' formats, not the 1950 first.P-045892

Frequently asked questions

Is my copy of The Story of Art a first edition?

A first edition of The Story of Art by E. H. Gombrich (Phaidon Press) is identified by: The true first is Phaidon Press, London, 1950 (the original English-language edition), a thick octavo of 462 pp. with about 370 illustrations.

How do I tell the first printing from a later one?

Check the copyright page. A stated first edition, a number line ending in 1, or a dated first printing with no later printings listed is the key. UK precedence: Phaidon, London, 1950 is the true first in the original English.

Is the book-club edition the same as the first?

The book has run to sixteen numbered editions since 1950 with expanded and reset content; all post-1950 'editions' are revised reprints identified by their edition statement, and the later pocket/luxury reissues are 'first thus' formats, not the 1950 first.

I have a first edition of The Story of Art — what should I do?

First, document the copy: photograph the copyright page (the number line and any edition statement) and the dust-jacket flap. Confirm the points of issue above against your copy, and decode the printing with the free First Edition Checker. Clearing out books? I take them as a free donation and make sure collectible copies are identified, not discarded: free pickup in the Albuquerque metro (scheduled by route), the 24/7 drop box at 5445 Edith Blvd NE, or donor-paid mail-in from anywhere in the US. Questions? Call or text 505-250-3804.

Glossary

First edition

Every copy printed from the first setting of type. Collectors usually want the first edition, first printing (the true first).

First printing / impression

A single press run from that setting. The first printing is the earliest and most desirable; later printings are still the first edition but not the true first.

Number line (printer's key)

A row of numbers on the copyright page (e.g. 10 9 8 7 6 5 4 3 2 1). The lowest number present is the printing — a line including 1 marks a first printing (Random House deliberately ends at 2).

Points of issue

Specific physical details — a stated edition, a number line, a typo, a jacket state — that identify the true first printing.

Book-club edition (BCE)

A reprint made for a book club. Tells include a blind-stamped dot or square on the rear board and a dust jacket with no printed price. Not the true first.

First thus

The first appearance of a particular version (first paperback, first illustrated, first U.S. printing) — a first of that kind, not the first edition of the work.